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Old 19-03-2015, 02:13 PM   #1
twillight
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Default 100 movies of all time

I started this as "100 best movies of all time", but lacking 100 by a small amount I created two other sections. Watch out, we're starting it!

"Best" movies: they are not the best at box office (because who cares if people wasted money on crap - everyone remembers DiCaprio's Titanic what makes the moviegoers ashamed), not best from when they came out (that's why most major blockbusters are missing from here) as to be "best" they have to stand the trial of time.
The list might be subjective, but I guarantee each film will worth your time if you decide to watch them.

1902 Le Voyage Dans la Lune: yep, one of the very first movies,and it definitely stood the test of time. The first half might be made from too long shots, and Thomas Edison (yes, that Edison) stole it so the crew never made money of it, but with the many "special-effects", the simple but coherent story, and the action-packed second half, this is a cool 13 minutes of silence.
1922 Nosferatu: might be a straight rip-off of the Dracula-story, and the sound coming from bakelite-disc, it is a surprisingly dynamic german expressionist art with one of the most famous prohestetics.
1931 Dracula: I swear putting this next to Nosferatu was not intentional. Bela Lugosi's Dracula-performance is just astonishing, despite some obvious flaws which add occasional unintentionally comedic character to the movie (rubber bat, overused shot of Lugosi's eye etc.). Still a "silent" movie, but on panels they sure talk a lot finally!
1940 The Great Dictator: Charlie Chaplin's uniquely serious themed satirical movie is both laughable, and making you wish if this was actual history. And finally they talk!
1959 Sleeping beauty: Yep, animated movies have they portion on this list. I prefer this from the most famous WaltDisney productions, because it has the action packed thrill-ride in it, and is made of nothing else but clichés. But this was the story what created those clichés, so definitely worth to take a look.
1961 101 dalmatians: the unique style of drawing, the lack of Lassie-attitude, the lovable characters and no superhero included (if you insist we can count the Horse/Cat/Dog trio as the first Avengers maybe?) makes this a classic.
PS: although the '60s seems a good age for movie-making when you check the general quality, masterpieces are few-and-far between.
1967 Crazy westerners: ok, THiS movie did not age well, but I still had plenty of room on the list, and I wanted a western desperately. As this is also a musical, and has a heroin instead of tobacco-chewing man-gang, I added it. Not to mention, the granades-to-launch makes is James Bondish. And in the end they DO ride into the Sun
1968 2001 space odyssei: Oh my, oh my, this movie is this old!? The visuals and the competition with HAL (which means IBM for the lul) still makes this space-ballet one of the best movies ever made.
1969 Bambi Meets Godzilla: I couldn't stand not to add this. Yes, this is officially a movie, not some youtube-stuff. Check it out!
1971 Godzilla and the smog monster: again the order is unintentional.
Despite the '70s being disasterous for cinematics in general, they produced quite a few top-notch movies, including this one.
Well, maybe it is not as good as the others on the list, but you just don't want to go home without some rubber giant monster-madness! And despite they appeared in big-budget movies at times (eg. Clash of the Titans (1981)), or the fact that when they are not attached to some big names get very low scores (Yonggary (1999)), these movies when they made right, can be c00l.
To be honest most Godzilla-movies suck. Godzilla look dumb, Godzilla's son is straight struck by down-syndrome, and the fights can be pathetic. Well, here the fights are not the best the franchise can offer as Hedorah don't really have limbs, but punching straight through its body, gutting it until nothing remains helps. Just like the hallucinogen shots, the animated parts and so on, making this one of the few good Godzilla-movies, which also manages to pass its anti-pollution message.
1972 The godfather (1): Face it, the Godfather"trilogy" is badly made because Marlon Brando plays so strong in the first part, that noone cares for the rest. Being a gangster-movie, a maffia-movie, and parts like the infamous horse-head scene makes this famous.
1976 Carrie: Sissy Spacek is both beautiful and talented here, the story goes fast, the camera handled perfectly, and shows the phenomena excellent. Those who don't like the distopian ending will have to satisfy by the brief (and overacted) Travolta-cameo.
1977 Il soldato di ventura: also known as Наемният войник, or Soldier of Fortune if it at all exist in english, is a Bud Spencer movie. Most of the carrier of Terrence Hill&Bud Spencer duo consist punch-our-way-through-it just-for-the-heck-of-it "road-movies", but this one toned that down (and lacks TH) to the point it is almost believable - although of course keeps the comedic aspect.
It is about the siege of a castle, and man, what a castle! And those armors everywhere!
With references to Leonardo da Vinci and other actual history-events this is undeniably one of my favourite.
1977 Star Wars (New Hope): Shall I say anything more? The angular spaceship-designs, and the original Darth Vader, as well as practically anything in this is a masterpiece. Oh, the times before Jar-jar Boink!
1978 Exorcist 2: I know. Why the second? Everyone hates it!
Well, I don't. Because it still has the events of the original, but a great back-story is added, and the visuals does not age, unlike its predecessor's which thought a bowl of porridge is the best effect for ever.
Made at the down of the original New Age movement when everyone went hippy, UFOs descended into your backyard, and hypnosis was the ultimate crime-solver (as well as crime-maker!), you should not miss this one.
And just to add a funny personal story, I passed one of my exams at the uni by informations on locusts from this particular movie!
1980 Oyayubihime: a japaneese version of Thumbelina. You wouldn't tell just by look it is not a Walt Disney original, and is one of the most heart-warming production of all time.
1981 Final countdown: originally I did not add this to the list, but I had space you know. The story plays with the "what if" scenario, and although mostly blunt, it does its job. The reasons it is on the list is the well-played characters, the believably professional handling of events, the visuals you can remember at, and that this is a military-promoting movie. Rly, mostly it is just jets flying up and down to a mothership. But in a cool way.
1981 The Beyond: again not necessarily had ended up on the list if I had other movies to mention, but it sure has its place anyway. This is an italian horror, which brand is famous of its gore risen to unnecessary levels almost making these torture-porn.
This particular movie lacks the torture-porn effect, and is artistically shot. I'd compare it to the Prince of Darkness (1987), and other slow-pace horrors.
The "inevitable doom" ending also adds some intellectual level to an otherwise loosely-coherent plot.
1982 Halloween 2: If you want to meet Death, as the skeleton-with-the-scythe character on screen, I suggest this.
1983 Conan the barbarian: big, muscled men in loin-clothes doing epic things. You can't argue with it.
1984 The dead zone: not necessarily on this list, but again I had place. This is an intellectual horror, where the thrill does not come from decapitated teenagers. Heck, for most the most chilling thing here is the ability the protagonist has and its effect on him, and not what happens around him!
It is about moral and consequences - but would be nothing without the ability eating its host like cancer, and the "would you kill Hitler" scenario, where Hitler doesn't have an army, but the Big Red Button. This is why you should watch this, and not the miniseries.
1984 Dune: Ok, it has confusing moments. Ok, it deviates from the books. But it manages to be interesting for its entire time (140 min), introducing all factions, and adding visually interesting stuff. I love it with all the comicbook-level overplaying actors.
1985 Ghostbusters: Not necessarily this movie. I could add just for comparsion Raiders of the lost ark (1981, Indiana Jones 1 if someone doesn't recognise it immediately).
Might be a pop-culture film with lemonade-storyline, but they are working, and please, take a look at the special effect! Last of an era.
1985 Commando: Yep, another Arnold Schwartzenegger movie. Yes, it is DUMB to the level of Chuck Norris. And that's the reason why it is on the list! On a list with such a hugh amount of stuff you simple should not forget abut the lighter genres.
1986 Mad Max 3: Ok, I might be very subjective here, because I just LUB this movie with its frame-narration, Lost Children a'la Peter Pan, the overacting supervilain Tina Turner, its top-track "We don't need another hero", and the straight-from Fallout games distilled Mad Max. But what other post-apocalyptic movie had had I add?
1986 The Fly: The monodrama where Jeff Goldblum transforms into a hideous monster is a dream come true.
1988 Labyrinth: have to confess this was added because I had space (there are like 10 if you count all these). Not that it would not be an excellent movie. Heck, maybe this is one of the definite for-girls movie on the list.
It has good masques, constant singing w/o turning into an annoying musical, and is a definite children-movie w/o the actual drug-inspiration like Alice in Wonderland.
1989 Vampire's kiss: Nicholas Cage made his way to this list with this movie. The fact you never actually figure out wether this guy is just totally insane because of Falling Down (1993, pun intended), or is a genuine vampire in itself make this a classic, re-imagining film-making.
1990 Crime zone: You might disagree with me, as this is a straight-to-VHS B-film, but the idea behind it, and the execution rises it in my eyes to the level of something I'll never forget.
If you like conspiracy-theories, you're also target-audience!
1990 Night of the living dead: yep, the remake. All the flaws from the original(s) went, all the good remained. Add to it definite social criticism and updated effects, and you'll see why I rate this so good as top 10 of all time.
1992 Army of darkness: Believe me you don't want to miss this. In medieval sorroundings a guy with a shotgun and a chainsaw implanted in one of his hand (so he is a cyborg I assume) going against a skeleton horde Back to the Future-style is a classic.
Also maybe one of the last stop-motion films in history.
1993 lorenzo's oil: Let's go serious here. This is a family-drama with a freak-child in the middle (this was an actual genre I assume, think about that Cher-movie where that teenager with the big head went to find love), but it avoids going soon outdated by the addition of the heavy scientific research, and criticism of the system, and the dedication from the parents, and the old scientist at the end.
1993 Needful things: Yep, I just love horrors. Again this is not a simple horror, but a small-town melodrama with excellent photography. Simple, but elegant.
1993 Return of the living dead 3: You don't think it should be on the list? think again!
Oh, it is definitely not here for its outstanding budget, or classic greek drama-like plot. It is here, because it is a zombie-movie which is not infested with zombies, but constantly creates situations which could start an epidemic (which zombie-movies notoriously don't show); and that this is actually a sexual-fetish movie which ended up not being porn. You must appreciate that.
1993 Much Ado About Nothing: Just to show you theater and movie-theaters are not entirely different things.
Likeable characters, original shakespearean language, great names makes this a forgotten classic.
1994 Body Snatchers: I like this version more because teenage-early 20s actors gave it a momentum, it does not go very low (like Faculty the invasium (1998) and other replicas), and in the end the creatures get what they deserve! A punch in their face!
But also creates the thrilling by claming the possibility of "all was for naught", keeping the original's depressive tone.
1994 Wolf: Jack Nicholson and Michelle Pfeiffer at their best. Not to mention if you want to see a wolfman-movie w/o terrible prohestetics, this one is for you.
Aside being a transformation-movie, and a werwolf-movie, it also has the fairytale aspect like Ladyhawke (1985). Excellent.
1995 Natural born killers: please, do not touch the "director's cut" edition. Keep with the theatrical-release.
This movie no wonder got banned at places, or flushed to the late-night period. Its media-criticism, well-used elements, nonstop killing-spree to the point only the animation can keep up with the speed and grotesqueness made it a phenomena for a reason.
1995 Village of the damned: I had to look this up again when pasted here . But that's maybe just the different language.
Well, this is a Christopher Reeve movie, who was Superman. No actual superman-movie, or his Nora Roberts-movies is worthy here if you ask me, but I believe mentioning all of them to give the impression why I included it will make you understand.
1995 Johnny Mnemonic: Not a film you'd easily come up with here, but just watch it once. Its strange gadgets, B-scifi visuals, Ice-T at his best (and yes, he is ridiculous) makes this THE definite cyberpunk gem.
1995 Mortal Kombat: Yep, the first one. It proved that computergame-films can be made well (just like Alien proved B-movies and horror movies can compete with A-movies if done right), made a game with contradictory backstory-only into a film with working plot (and lots of catchphrases), that martial-arts movies still have their place, and showed CGI is not everything (it is probably the last film made animatronics-only).
1996 Tank Girl: This is a british punk-movie. That's why.
1997 The island of dr. moreau: This is my favourite movie-version. The creatures look good, the story is well-cut, the cat-girl is beautiful, everyone has character - it just has no flaws.
1998 Gattaca: similar to 2001 Space Odyssei by tone, but focusing on personal drama. By showing what for one would be heaven, while for the other the living hell it is more than a sci-fi movie or social/technolgical-critism.
1998 lethal weapon 4: Yep, the 4th installment. Lethal Weapon movies did not age well if you ask me (neither did the Matrix, Beverly Hills Cop movies etc), but this shows how a franchise should end. With still packing a lot of punches and explosions faithfully to its action movie standards, but with a lot of sarcasm on self.
1998 Lola Rent: 4 times the same story, where each time she runs the marathon. Can it be done? Can you make a film from the same elements 4 times, while she gets a large amount of money a different way every time?
Seems you can. This german techno-anthem proves it.
1998 Black cat, white cat: This is a timeless romanian-gypsie diorama. Pit-bull! Terrier!
1998 Zimmer Feri: You likely had no chance to watch this, or even if you would you would not understand why is it on this list. While it might not be a global classic, if you know where it comes from, and can appreciate some experimental cinematography (what is part of the joke at this satire), you'd enjoy this.
The film is about the '80s Hungary, where austrian citizens visited in large numbers the lake Balaton, an artificially overmade (communist-style) vacation-attraction. But this place is either just have bad policy, or is in the age when german-speaking people stopped coming, so they do everything to catch and keep visitors. With no investment
1999 The ninth gate: I just prefer this over Omen and such.
1999 The haunting: this movie is underrated because it is titled as "horror", despite being "ghost"-movie.
1999 Man on the moon: This movie is artistically funny. Helps you understand the person's humour, and in general a good biography.
1999 Bowfinger: the penultimate looser-movie. You just gotta love it.
1999 Galaxy quest: yet again something I'd've prefer not to add to the list. But I had space, and even in itself it is a good movie. Although I think its visuals will soon turn outdated. And it is actually a parody of a cultural phenomena. For what it again can go outdated. But as long as there is space on the list to fill, I'll add this.
1999 But I'm a Cheerleader: satire with the '50s utopian look what makes you vomit; the actual events of the story are funny, and the reason it is made for makes it outstanding.
Actuality it has also with the coming anti-gay (or anti-gay financed) I am michael (2015).
2000 Book of shadows - blair witch 2: My thoughts on the original are nothing but swears, but this re-design I found convincing. It is the "actual footage" twist without the lie of being "actual footage".
And I just like the LSD-visuals and plot.
2000 Ginger snaps: again a transformation-movie, which might have less-convincing prohestetics than an all-time favourite, and a mediocre plot, but when you add the pure art photography, and the concept that menstruation = werewolfchange, it just becomes worthy for this list.
2000 Pitch Black: This is how you make a minimalist sci-fi.
2001 The lord of the rings - the fellowship of the ring: No matter how I despise the two sequels for their lamer visuals, unrealistic events and general dumbness, I like the LotR trilogy, and I like the first installment's dedication to the books.
2001 The Avenging Fist: an asian scifi/martial arts B-movie. Ok, it is far from being an all-time favourite, but you must appreciate low-budget genres trying. It is original enough, and has enough sci-fi gadgets to make me dare mention it.
2001 Spirited away: this aime-classic just catches everyone's attention. Intended to be just an original Walt Disney quality children bedtime movie, it made a fantastic job.
2001 Blow it dry: As I said, overlooked genres should not be forgotten by professionals. This one is just about making your hair (a hairdresser-competition), but I assure you it can compete against blockbuster action-movies!
2001 Jason X: Face it, you knew the big horror-monsters must have a place here somewhere. And while they have their flows, they established the serial-killer genre wether by supernatural means (eg. Freddy Kruger) or by simple slashing. And while many of their movies are flowed like a Godzilla-movie, there are excellent pieces.
I added this because it is one of the most underrated (for good reasons) "our monster in space" genre, but this one is actually working, and keeps with the original in many sense. I have other reasons too, but won't waste space and time listing them here.
2001 Jurassic Park 3: Face it, we need modern, mostly-CGI monster movies. We need them with look and script which won't disappoint us after the hype of the marketing and the trailer. JP3 just does that. Likely because Spielberg (finally! That man did nothing good since the '80s!) left the franchise.
2001 Kate&Leopold: Finally a romantic movie. Mixing here 20th century with costume-wearing years makes it standing time solid. Hugh Jackman really plays the Prince on white Horse, and the female actor doesn't play a dumb sexualised b*ch either. Definitely a favourite.
2001 Not Another Teen Movie: This you also saw it coming: an American Pie movie. Though the actual franchise does not age well with the audience growing up. But this one can be seen by all ages, you'll laugh your ass off. It even works if you don't know the source-material!
2001 Nexxt: Second time something you likely did not have the chance to know of, being a rare 18+ hungarian movie.
It revolves around the protagonist of Clockwork Orange and American Psycho competing against each other in a Running Man (1987)-atmosphere reality-show with turns like "confess your sins" where the winner won not by just numbers of victims, but by adding avoiding taxation!
Its black humour is just hilarious, wish it had at least english subtitles somewhere.
2001 Vakvagányok (Blind-dears if I'd try to translate the title): Ok, I might be into promoting some hungarian stuff Anyway, this one is a "made for blind audience" movie keeping in mind it is also for the general public. Featuring actual blind people along seers.
The film itself in no angle "best of the best", but the above mentioned way it was made in itself makes it mentionable. And it is not a bad movie in any sense either, so as an experimental film it is allowed.
2001 Zoolander: While I'm not generally fond of this type of humour, I appreciate it recognising its hilariaty.
2002 Chicago: perfect amalgamation of movie and musical. Richard Gere and all the others give their best here too, and the visuals are also unique.
2002 May: In hungary we know this as "Frainkeinstein's playthings" which I feel more expressive.
It is a strange sadomazochistic deprivation of the mind on artistic level. If you are curious and 16+, I suggest watching it.
2003 Open Water: a lowbudget film fake-documentary, where practically nothing happens on the screen. Just the endless ocean, and two (later only 1) survivor of a shipwreck floating, running out of hope for survival.
I'm not into monodramas and s*, but this passed even my barrier and avoided utter boredom.
2003 Terminator 3: While I see T1 as a B-movie of its time, and T2 as a blockbuster of its time - both aged to the point of scrapping -, T3 went to professional people making an amateur film around a never-seen, important by the lore event of its universe.
It has something old, something new, something borrowed, something blue, and it does its job. Not to mention satisfies curiosity. And for me closes the franchise closing the circle, where the quote "The future's not set. There's no fate but what we make for ourselves." for me means the humans must fight the machines to win over the Skynet after it bombing the planet - not to change the events, but to preserve the outcome.
2004 The Eye 2: I won't try to asian title here. Yep, this is an asian movie yet again. And you know what? I won't tell why it is here. Go and watch it! Maybe you won't appreciate it the level I do, but that's life!
2004 Night of the Living Dorks: there is something we can call "german teen-movies", even if I'm not 100% it is all just german, taking Hellphone 2007 (the movie which made me not hate the touchscreen-phones). Their humour is unique, their ideas are refreshing. They also not go beyond the limit and turn outright outrageous, disgusting and experimental like Poultrygeist (2006).
2004 Immortel ad vitam: I still held, and forever will, that this made the stuff before Avatar (2009). And is a good sci-fi/fantasy. With moments you'll never forget wether hilarious or emotional.
2004 Million dollar baby: while I still not packed it from its box, I have it, and saw in the cinema. With this there is a regular western sport-movie on the list. Yes, I think Rocky and such aged bad, and were overrated anyway.
2004 The passion of the christ: Yes, this is a "religious" movie. Yes, it can easily be taken as "torture-porn". Yes, Mel Gibson is dumb when drunk. But face it, this movie is GOOD.
2004 Kakushi ken oni no tsume (The Hidden Blade): a historical drama. About asia. Could be any asian country I assume. Shows the traditional culture strougling with the modern, while combining the traditional swordfighting genre, and personal drama (finally an asian love-story with happy ending!). If you have time only for one film of the asian culture, I suggest this.
2005 The descent: Who said movies can't go deep? Adding Nietzsche by both on concept-level and visuals makes it a masterpiece.
PS: Forget the 2nd one, that was made just the studio forcing the crew to do it for money.
2005 Charlie and the chockolate factory: Not necessarily for this list w/o some empty space to fill, but its surrealistic design makes it awesome.
2005 Hellraiser - Deader: Hellraiser is one of the most original monster of all time, with a lot of experimental ~spinoffs added to the source material. During the franchise after the traditional horror (H 1-2-3) we had crime-story, mystical movie, revenge-movie and one like Memento (2000). I chose this for in its most elements keeps up with the original, while deriving from it, and including mind-bogling visuals and story.
2006 I'm a Cyborg, But That's OK: don't you find strange that a lot of asian stuff got included, but no indian (bolywood) movie? Should tell something.
Also if you check the years, it should be evident landing in a "top 100" must include reaching wide audience or get lost in time. So probably there were some other excelent stuff back than, which just never reached the crowd, or never got acceptance. Or its fame expired when fans found something else.
This movie has some shocking(ly funny) visuals - just check the part where the girl eliminates the whole hospital But beyond that it is on this list for trying to show how a deranged mind can make functioning in the real world just by pushing the right levers. And ending up as a love-story instead of a simple medical treatment-film helps it a lot.
2006 X-men: the last stand: I don't care if people don't like this, or liked more other X-men, avenger, or other superhero movies. Or found this too crowded. I found it the most close to the source-material, while managing to representing it in every aspect without falling appart.
2006, 2009 Crank 1-2: Likely they'll expire soon, but who cares at the moment? And while there are some differences between the two (majorly for the 2nd going surrealistic, including a Godzilla-fight), I see no reason to choose either. At the moment this is the penultimate adrenaline-movie.
2007 Bridge to terabithia: Might not be flawless under a microscope, but this is just one kid-movie which tells a classic story which are so classic even adults fan it. Adding to the clever story, clever use of minor details, fantastic visuals and an unrealistically manga-eyed girl brought this film here.
2008 The gamers - Dorkness rising: While the official Ad&D movie (2000) ended up being a disaster, roleplayers DID get a movie to pin on their flag (and a franchise they'll all enjoy).
Aside this point it is here to give credit to the "amateur" film makers. they might not excel on the average level, but there are SOME masterpiece which are made on the quality of an A-movie, while using up practically no budget.
2008 Tokyo Gore Police: stricktly for 16+ audience (and I am always generous compared to the officials, as I grew up on Rambo 1 without suffering any trauma), this is, and will likely remain the penultimate gorfest-movie at least for a very long time. If you ever wanted to watch a movie with Mortal Kombat-like unrealistical amount of blood sprinkles, where the hero take out an umbrella while blood sprinkles from its victim's mutilated body, and mutants roam the street - this movie is for you. Not just for the shock-value.
2010 Primal: Again might not be the "most clever movie of the century", but you are guaranteed to have fun watching it. And no, this wasn't an afterthought to add.
2011 Lemonade Mouth: I soo wanted to add a low-age audience targeted film, and I found this. It is clever, it is fun, it is Lemonade Mouth.
2011 Hangover 2: Face it, there is a trend when low-budget 1st versions are remade from high-budget, and just add a "2" to the title. This is one of those. But this is actually not just better than the original, but rises the "get drunk and do silly/outrageous stuff" jokes to the A-level.
2013 Europa report: I originally hesitated between The Andromeda Strain (1971) and Cube2 (2002), maybe even World War-Z (2013) to nominate a probably-unrecognised genre: science movie. Where the visuals or the story might just be overlooked, and appreaciate a film what gives documentary-like informations without turning into an actual documentary.
And this is also a handcam/actualfootage movie. Probably the best of the genre currently along with things like Diary of the Dead (2007). So this is a 2 in 1 package.
2013 Sharknado: Like it or not, Asylum production or not, this movie is at the same quality as Evil Dead (1981) or Gremlins (1984) - just to mention two widely recognised classic horrors. Yes, they are hilarious. But they are also gory. And brings the creep to us. Even if we laugh our ass off.
2013 The amazing bulk: sorry to say, but yes, this is the latest movie on this "best of the best" list.
Actually this is "best of the wrost" to be honest. But it is so BAD, it isn't just "best of the worst" it is actually belongs to the "best of the best"! It is likely unintentionally funny and bad. And in the end they likely just said "the f* with it", resulting in the infamous chase scene. But it does its stuff on constant level of hilariaty, thus I nominate it here!
And nope, I don't think 2014 produced anything unforgettable. It had good movies, but nothing which excelled.

This is all in all 93 films. To make it 100 I present you in addition:

Worst of the Worst:
#94: The Room (2003): While it is easy to find bad movies, which lack acting, coherent story, or just drawns itself in general lack of interests, The Room rose all this to a whole new level. It is so bad, you recognise it as bad. You don't just turn of the tv for general disinterest, but get nightmares from it.
#95: Blade Runner (1982): Don't even know where to start with this. This is an average, lacking any fantasy or originality B-movie. It is like T-force (1994) stripped off the humour, references, elegance, or anything pulling it out of the swamp mediocrism. They added Harrison Ford's name to it and a marketing-campaign, but that just makes it a shameless piggybank-ride
#96: Ida (2013): This is just worse than Plan 9 from Outer Space (1959). While lacking that one's unprofessionalism, riding the holo-ride while not concerning it, misreperesents practically everything, and not reach any of the appointed goals of the making (like facing the past, european values etc.). This is one movie you should avoid at all cost. While I suggest you watch the other two "worst" movies just in general interest of what can go wrong with a movie, this one is a PLAGUE (and has a stolen script and title), which should only be presented at university-classes to teach how to NOT MAKE movies.

And finally 4 movies what I do not understand why they exist, under spoiler, as they can make the sensitive puke:
SPOILER
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